Posted on

Welcome to Lagos

Title BBC’s Welcome to Lagos
Director(s) Solomon Sydelle
Date released (year) 2010
Production company BBC
Length 10.11mins
Location Lagos Nigeria
Keywords/tags Toxic waste, poverty, violence
Link to film http://www.youtube.com/watch?v=sHKLIpz9F5c
Synopsis First 10 minutes of the   Part 1 of the documentary.

Three part observational   documentary series which explores life at the sharp end of one of the most   extreme urban environments in the world: Lagos, Nigeria

Reviews/discussion Economy: Nigeria is Africa’s leading oil   producer; more than half of its people live in poverty(http://www.bbc.co.uk/news/world-africa-13949550)

 

From the program editor’s blog:

First   stop was the city’s main dump site, Olusosun. This definitely   isn’t on the tourist trail of Lagos, but then Lagos doesn’t have much of a   tourist industry at the moment. Some 5,000 people work on the dump, and we   were immediately struck by how organised and efficient everything was.

As well as all the   scavengers working behind the dump trucks, grabbing anything and everything   they could to re-sell to the re-processing factories, there were shops, bars,   restaurants, a mosque, a barbers, and even a cinema.

The longer we hung   out on the dump (it very soon became one of our favourite places to film,   because the people were all so friendly there) the more astonishing it   became. It turned out that the scavengers even had their own form of   democratically elected chairman, who sorted out any arguments or   disagreements.

The dump became   symbolic of everything we were trying to achieve in the films. It looks at   first sight like a rough, lawless, dangerous place, and most people in this   country will be horrified to see people working there.

But in actual fact,   through the eyes of the people who actually DO work there, it’s a   well-organised place where there’s good money to be earned. Decent, honest   people choose to work there, preferring a life of grime to a life of crime.   Some of them are university graduates.

They are proud of   the fact that they earn an honest living, and are making a better life for   themselves and their families through sheer determination and hard work.

We realised the   scavengers were people to be admired rather than pitied, and it changed our   whole perspective on the place. They didn’t feel sorry for themselves, so why   should we feel sorry for them? We decided that the   films should celebrate their resourcefulness, and challenge our   audience’s views of what poverty is.

After the dump we   went to Makoko,   an extraordinary floating slum, where everyone travels round in boats. Some   people call it Lagos’s version of Venice.

There’s 100,000   people living on houses built on stilts, and after a week or so of drifting   around in boats, stopping at people’s houses and talking to them, we stumbled   across Mr Chubbey, who went on to become the star of programme   two.

He has 18 children   to look after, and is always on the look out for some scheme or another which   will help him make more money. He’s like a character from Only Fools And Horses, buying selling,   wheeling and dealing, doing dodgy deals and getting by on his charm and his   luck. All that’s missing is the camel skin coat.

The last film is set   on a beach right in the heart of the swankiest part of town. It sounds   idyllic – white sands, clear blue Atlantic waters, baking hot sunny days –   and in many ways it is.

But it is also home   to 1,000 or so squatters, who have built homes on the sand because they have   nowhere else to go. After a couple of trips, walking along the sands,   explaining what we were doing to the inquisitive children, we met Esther, a   sparky, intelligent, beautiful young woman who had been staying on the beach   for the last six years.

She lived with her   husband Segun in a little house which they had built themselves out of scrap   wood, cardboard and old tarpaulins. It probably cost them about £80.

But when Esther and   her husband started to have problems in their marriage, and it looked like   they were going to split up, they used to have terrible arguments about who   was going to get the house – every bit as vicious as they would be if they   were living in a mansion in Beverley Hills.

We realised then   that all our characters, wherever they lived, however extreme their working   environment, went through all of the same things which we do in the West –   love, heartbreak, marriages, births, deaths etc. It’s just that they live on   a different scale to us, in the slums of the fastest growing city in the   world, and with no money. This forces them to be more resourceful, energetic,   and optimistic than most people in the West.

And yes, they may be   terribly poor, but that doesn’t stop them being human and, if the films have   succeeded, then I hope they’ve succeeded in showing that.

Source: http://www.youtube.com/watch?v=sHKLIpz9F5c

Links to other resources Watts,   M. (ed) (2008) Curse of the black gold: 50 years of   oil in the Niger Delta. New York: Powerhouse.

 

The Curse of Black Gold film

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s